一个具有良好美学表现力、功能丰富、形象鲜明的城市公园往往可以成为一座城市的名片。在城市化进程日益激烈的今天，场地对于时间的衔接与保存似乎在这样的进程中被渐渐遗忘，本次设计希望通过景观空间进行不同空间维度的表达，以对东骧阁的立面更新为外向的显性时间，通过表皮材质与一旁古建的强烈对比激发原始的时空差异，将时间这一不可触摸的哲学含义进行可视化；下沉区域为内向性叙事的隐性时间，以人民英雄纪念碑为叙事高潮，通过渐渐沉入场地再到渐渐淡出场地引发对于真实历史时间的思考，希望藉由这样的时间内化与外化为城市提供一处综合性公园的同时，引发住民对于时间的思考与感受。
书法与国画是我国精神寄托的标的，它所承载的精神在园林景观的语境下代表的即是对于自然的向往、还原与思考。古典书画中所体现的幽静、沉思的氛围是在城市化进展迅速中所需要得以补足的部分，我们试图对这样的氛围进行平面到空间的三维转译，并使其与场地中对于时间的思考这一主题进行呼应与隐喻--“什么是可以思考的时间？”，我们将传统字画中的词汇意境与设想通过总结为“消隐”、“低语”、“回味”、“留白”，以此为基础，我们将主体的景观构筑部分进行下沉，将更多的面积留存给绿地与自然的环境，以此呼应消隐与留白，试图通过对比强烈的氛围感引出人们对于时间流逝的直观感受，以此达到将纸上山水的时间维度进行投射与空间化。

A city park with good aesthetic expression, rich functions and vivid image can often become a business card of a city. In today's increasingly fierce urbanization process, the connection and preservation of time seems to be gradually forgotten in this process. This design hopes to express different spatial dimensions through the landscape space, so as to update the facade of Dongxiang Pavilion into an outward dominant time, and stimulate the original space-time differences through the strong contrast between the skin material and the ancient buildings on one side, Time, the untouchable philosophical meaning, is visualized; The sinking area is the recessive time of introversion narration, and the monument to the people's Heroes is the climax of narration. By gradually sinking into the site and then gradually disappearing into the scene, we hope to provide a comprehensive public park for the city through such internalization and externalization of time, and at the same time arouse the residents' thinking and feeling of time.Calligraphy and traditional Chinese painting are the subject of spiritual sustenance in China. The spirit it carries represents the yearning, reduction and thinking of nature in the context of landscape architecture. The quiet and contemplative atmosphere embodied in classical calligraphy and painting is the part that needs to be supplemented in the rapid development of urbanization. We try to translate this kind of atmosphere from plane to space, and make it echo and metaphor with the theme of thinking about time in the site - "what is thinking time?", We summarize the artistic conception and imagination of words in traditional calligraphy and painting as "hiding", "whispering", "aftertaste" and "leaving blank". On this basis, we sink the main part of landscape architecture, and reserve more area for green space and natural environment, so as to call for hiding and leaving blank, This paper attempts to draw people's intuitive feelings for the passage of time through the strong sense of atmosphere, so as to project and spatialize the time dimension of landscape on paper.

一个具有良好美学表现力、功能丰富、形象鲜明的城市公园往往可以成为一座城市的名片。在城市化进程日益激烈的今天，场地对于时间的衔接与保存似乎在这样的进程中被渐渐遗忘，本次设计希望通过景观空间进行不同空间维度的表达，以对东骧阁的立面更新为外向的显性时间，通过表皮材质与一旁古建的强烈对比激发原始的时空差异，将时间这一不可触摸的哲学含义进行可视化；下沉区域为内向性叙事的隐性时间，以人民英雄纪念碑为叙事高潮，通过渐渐沉入场地再到渐渐淡出场地引发对于真实历史时间的思考，希望藉由这样的时间内化与外化为城市提供一处综合性公园的同时，引发住民对于时间的思考与感受。
书法与国画是我国精神寄托的标的，它所承载的精神在园林景观的语境下代表的即是对于自然的向往、还原与思考。古典书画中所体现的幽静、沉思的氛围是在城市化进展迅速中所需要得以补足的部分，我们试图对这样的氛围进行平面到空间的三维转译，并使其与场地中对于时间的思考这一主题进行呼应与隐喻--“什么是可以思考的时间？”，我们将传统字画中的词汇意境与设想通过总结为“消隐”、“低语”、“回味”、“留白”，以此为基础，我们将主体的景观构筑部分进行下沉，将更多的面积留存给绿地与自然的环境，以此呼应消隐与留白，试图通过对比强烈的氛围感引出人们对于时间流逝的直观感受，以此达到将纸上山水的时间维度进行投射与空间化。

A city park with good aesthetic expression, rich functions and vivid image can often become a business card of a city. In today's increasingly fierce urbanization process, the connection and preservation of time seems to be gradually forgotten in this process. This design hopes to express different spatial dimensions through the landscape space, so as to update the facade of Dongxiang Pavilion into an outward dominant time, and stimulate the original space-time differences through the strong contrast between the skin material and the ancient buildings on one side, Time, the untouchable philosophical meaning, is visualized; The sinking area is the recessive time of introversion narration, and the monument to the people's Heroes is the climax of narration. By gradually sinking into the site and then gradually disappearing into the scene, we hope to provide a comprehensive public park for the city through such internalization and externalization of time, and at the same time arouse the residents' thinking and feeling of time.Calligraphy and traditional Chinese painting are the subject of spiritual sustenance in China. The spirit it carries represents the yearning, reduction and thinking of nature in the context of landscape architecture. The quiet and contemplative atmosphere embodied in classical calligraphy and painting is the part that needs to be supplemented in the rapid development of urbanization. We try to translate this kind of atmosphere from plane to space, and make it echo and metaphor with the theme of thinking about time in the site - "what is thinking time?", We summarize the artistic conception and imagination of words in traditional calligraphy and painting as "hiding", "whispering", "aftertaste" and "leaving blank". On this basis, we sink the main part of landscape architecture, and reserve more area for green space and natural environment, so as to call for hiding and leaving blank, This paper attempts to draw people's intuitive feelings for the passage of time through the strong sense of atmosphere, so as to project and spatialize the time dimension of landscape on paper.