来自Estudio Sala工作室的米纳斯吉拉斯，卡拉•克鲁兹和菲利普·皮涅罗的三位年轻建筑师联名签署加入了名为棕榈树房间（Palm Room）的设计计划中；它是为2019年在曼加贝拉斯宫举行的卡萨库弥纳斯（Casa Cor Minas）所进行相关的空间设计项目——这一处是由奥斯卡·尼迈耶（OscarNiemeyer）于50年代所建造的宏伟作品，它坐落于在贝洛哈里桑塔（Belo Horizonte）42,000平方米的宽广土地上。 Young architectsfrom Minas Gerais, Carla Cruz and Philipe Pinheiro, from the Estudio Salaoffice, signed the Palm Room project, an environment designed for CasaCor Minas 2019 that was held at the Palácio das Mangabeiras, a workby Oscar Niemeyer constructed in the 50s in a 42,000 m² of land in BeloHorizonte.
75平方米的空间受到使用方式，而非物理划分的限制，同时其结构的正交形状所呈现的缩简化和刚硬度，同其布局及家具的有机化和流动性的特质之间，形成了一种极为鲜明的对比；而事实是，即便所有部分都是独立存在的，但当它们结合时却成为一个具有非同凡响意义的整体；环境的简单性就如同一块空白的画布，其中家具和触及表面的光线，是能够重彩于它的重要笔触。 The 75m² space islimited by use and not by physical divisions, and adopts a clear contrastbetween the austerity and rigidity of the orthogonal shapes of the structureand the organic and fluid character of the layout and furniture. The impact isin the fact that all the pieces are strong separately, but together they makeperfect sense. The simplicity of the environment works like a blank canvaswhere the brushstrokes are the furniture and the light that touches thesurfaces.
“环境被认为是可以用来沉思的外部空间，它向塞拉杜库拉尔（Serra do Curral）公园开放；我们想要创造一个能够模糊内部和外部边界的环境。与我而言，它实际上应该是一个一如既往姿态敞开的体态巨大的阳台。” 菲利普·皮涅罗这样解释道。 “The environment wasthought of as an external room for contemplation and it opens up to Serra doCurral. We wanted to create an environment that blurred the boundaries betweeninternal and external. For me, it's actually a big balcony that is open all thetime” Explains Philipe
设计元素中亦是存在许多亮点，譬如由设计师安德里亚·博格格诺（Andrea Borgogni）用陶阿里木雕刻而成的卡里里椅；再譬如说，由设计师维科·马吉斯特雷蒂（Vico Magistretti）60年代后期设计制作而成的魔像椅——这是对建筑师查尔斯·麦金托什（Charles McIntosh）作品的致敬，其灵感来自于新艺术运动，艺术家弗雷德里科·瓦里姆（Frederico Valim）的画作和由工作室设计的圆镜。 Some highlights ofthe design elements are the Cariri chairs, carved in tauari wood, by designerAndrea Borgogni, the Golem chair from the late 60s, by designer VicoMagistretti, which was a tribute to the work of the architect Charles McIntoshand is inspired by Art Nouveau, the painting by artist Frederico Valim and thecircular mirror designed by the office.
“灯光设计是从战略角度考虑的，我们分析了自然光将如何进入室内空间，以及它们将于何处发生过渡，以此去定义自然光在空间中的行为，并自始至终去寻找更为诗意的特质；人造光具有三种属性：优美的，舒适的，同时却也是弥散的；因此我们仅在天花板上安置两处照明点，用以凸显出具体家具的存在，而其余的则间接地使用设计用灯和构建出整体空间的LED灯，对其轮廓进行高光或渲染。” 卡拉•克鲁兹补充说明道。 “The light wasthought of strategically. We analyzed how natural light would enter and wheretransitions would take place to define how it would act in space, alwayslooking for a poetic character. Artificial light is scenic, cozy and diffuse.There are only two lighting points on the ceiling, to highlight the furniture,the rest is done indirectly with design lamps and led strips that frame thespace.” Adds Carla.
项目名称: 帕尔梅拉斯房间 Palmeiras Room 公司名称: Estudio Sala 项目位置: CasaCor Minas 2019 / Belo Horizonte, MG -Brasil 完成年份: 2019 摄影支持: Daniel Mansur: @daniel.mansur；João Viegas: @viegasjoao
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